Friday, May 23, 2025

GDC2025 - Art Leadership Roundtable - Day 2

First of all, a HUGE shoutout and thank you to Carrie Sloane for volunteering to take notes and for sharing them with me after GDC.  Where possible, I've edited the notes to add context and create flow for reading.   I also wanted to send a thank you to everyone else who attended and shared their personal struggles around a very difficult topic.

At the end of Day 1, the topic of how to deal with the "talented/brilliant jerk" was expressed.  We didn't have much time, and I suspected this was a topic that deserved more attention.  I announced that this would be the first topic of Day 2, and little did I know that it would be the sole topic for the full hour of the second roundtable session.  It was time very well spent; here are the shared thoughts from that conversation:

Many attendees have experienced the "brilliant jerk."  Sadly some studios possess structures or systems that are overly reliant on them.  So, how do you deal with it, without sacrificing the team (cause if the jerk doesn't leave, the rest of the team might)?  Also, how do you address the behaviors that are causing them to be perceived as a brilliant jerk?  Is there a balancing act to be found between coaching and setting clear/firm expectations?

One attendee shared a quote (attribution unverified) that "you're never talented enough to be an asshole."  The attendee shared that they've been at studios where the decision was made that the talent was needed, but then the studio "fell apart."  Also, they've worked at a place where the jerk quickly reveals themselves and is immediately let go.

Another attendee shared some crucial considerations.  First, how is this affecting my team?  Does it only affect me as their manager, or is this impacting other team members ability to do their jobs?  The attendee also shared that, if the jerk carries critical knowledge or perhaps embodies a single-point-of-failure in a critical system, then studios may look the other way if that person is needed to ship a product.

One person also shared an experience of encountering this scenario on two projects with small teams.  Since they were in a leadership/management role, they went into the conversation assuming that the person wasn't aware of their behavior or their impact.  They treated it as a normal 1-1, providing clear coaching on their behaviors, the negative impact it was having, and setting clear expectations that change was needed.  This leader cited that the candor in that conversation was the critical component.  One person was able to address their behaviors.  The other was not.  The one who continued to have a negative impact on the team had to go.

Another person shared that the challenge or risk in being too accommodating, which can exacerbate everything.  Being more direct up front can help to avoid future issues.  This attendee recommended that you write down a few clear bulletpoints before any conversation to clarify what behaviors you expect to change in the future.  They advocated for being clinical in your expectations to avoid ambiguity or wiggle room.

Adding to the conversation, another attendee shared that, at their studio, the first step is similarly to sit down withe the individual and try to understand what is motivating their behavior.  Sometimes an individual believes they're doing the right thing, and they need to be informed how a behavior doesn't align with the studio's values

Keeping in mind, there are two approaches.  The "hard" approach needs immediate results/change.  The softer approach may yield more long-term benefits.  The softer approach employs more empathy and sincerity in pursuit of an open dialog.  However, you must be mindful that you are what you tolerate.  The attendee shared the analogy of a basketball coach - no one player is above any other person on the team.  Also, the team will gravitate towards the leadership you demonstrate.  They also cited One Minute Manager as a good resource.

Another attendee shared a different perspective.  While they agreed with everything said, they pointed out that where they work (in Germany), you can rarely fire people outright.  So, they have to pursue a more long term solution.  For them, they focus on connecting with the person on an individual level through 1-1s or regular coaching.  The attendee reminded us that the behavior may be motivated by something going on in their personal life.

But that then raised the next question.  When do you stop being the "nice?"  Being too understanding can be toxic to the team, or avoids the difficult path of setting clear expectations for the brilliant jerk who may struggle to be honest with themselves.  If the person doesn't clearly see the need for change, then they may lack the motivation to improve.  They need a tough/firm stance instead.

Another attendee shared the strong encouragement to speak with a different leader on the team.  The brilliant jerk may not behave that way in front of a leader, and so the leader may be lacking awareness of the problem.  This can create a situation where people are assuming leadership knows about it and is tolerating the behavior rather than being unaware and not acting.  Studios need people who are "on the ground" and can provide them with critical feedback.

From there, the topic pivoted to more challenging scenarios when the "brilliant jerk" actually is in a leadership position.  If their behaviors don't change early in their career, and they advance in their career, then those behaviors will move into positions of greater authority or responsibility.  The leadership position can having a chilling effect on feedback.  However, from a leadership position, the negative consequences can be much broader and more harmful to the organization.  The studio failing to address the problem may result in groups of people leaving rather than the challenge of losing one leader on the team.  Also, if your team can't pivot or adapt at the risk of one leader leaving, then that may point to a structural/systemic problem in your organization.

One attendee encouraged attendees to watch the documentaries on YouTube around the development of Psychonauts 2.  They felt these videos demonstrated the impact of a brilliant jerk, and that viewers can watch it as a lesson into observing the long-term impact on a team.  As the attendee described it, the videos show the cascading effect triggered people leaving the studio, teams being pitted against one another, and an organizational power struggle.  Direct reports cited feelings like a panic attack prior to 1-1s and leadership eventually stepped in, but the damage had already been done.  The attendee indicated that the video series points to some key questions - are you willing to risk the whole team to accommodate a single individual?  How many years will it take to recover from a challenge like this if you don't act quickly?

One attendee shared that they are good friends with their lead, who is the brilliant jerk on their team.  As a friend, this person was aware of what was going in their lead's personal life and work stresses, so they understood what was contributing to their behaviors.  They didn't want to damage the relationship by speaking up, but also didn't feel that they could address the situation directly.  They asked what advice others could offer in this scenario.

One respondent suggest that they find a neutral third party.  Someone with leadership and managerial experience, but who isn't part of their managerial chain might be able to broach the topic of behaviors objectively and keep the source of the feedback anonymous.  This person might be able to share feedback more abstractly and with less risk to the lead's reports.

Another respondent shared that they had experienced a similar scenario with someone coming to them to talk about a problem elsewhere in their org.  As a manager, this person felt like they could "speak the language" and discuss how the observed behaviors were counterproductive to that leads goals.  While this individual also encouraged checking in with upper management to confirm, they cited the phrase "we don't do this here" as a powerful phrase that helps to reinforce the organizational values and set clear expectations in a way that appears less personally judgmental.

Many other attendees agreed with these approaches.  There was the general consensus that a report shouldn't have to approach their lead directly, and that there should be a skip-level manager or supervisor to whom they can speak.  Likewise, there was agreement that while this behavior may be easier to hide at certain levels, that studio leadership (as noted above) needs to be made aware of problems to affect a productive change.

Someone else shared their experiences with referring a senior colleague and having them exhibit similar behaviors after being hired.  They decided to approach the person they referred, and then framed the discussion around the knowledge of the team and the team's goals - rather than singular, individual behaviors.  In this case, they had to be candid and firm and communicate that they "know your work is amazing, but this is not what we're going for here, and you're still new."  This attendee also expressed their gratitude for the leadership they had and that project management flagged that this individual was on a contract.  They also shared that the company is Korean, and that there can be a structural and behavioral expectation as part of the culture, which can make it challenging to give directive feedback to a peer or lead.

This was very insightful because we also need to be aware of cultural components and how ways of communicating can be interpreted and/or misinterpreted.  Similarly, Russian culture was shared as an example of where dialog can be much more direct (and can be misinterpreted as more confronting, or antagonistic) where that directness is often a cultural component of trust validation.

As the discussion continued, an attendee referenced Kim Scott's Radical Candor as a valuable resource.  They cited that it's helpful to delineate between being nice versus being kind.  We talked about "ruinous empathy" and how the desire not to confront can actually create a longer-term problem.  There was also the suggestion that there be two managers (or a manager, and a skip-level) where one gives the direct feedback, and the other offers to coaching afterwards but still reinforces the same feedback.  For individuals that are struggling with feeling heard, telling managers that the "team is suffering" is often a strong catalyst for prompting action.

We agreed that there will likely be unique challenges where friendship and leadership intersect.  When you are the manager/leader and problem is identified with a friend, you need to have established clear boundaries that within work, they're an employee first and the friendship is something that persists outside of work but doesn't take priority in the workplace.

In contrast, if you are a friend and peer to the person who has the problematic behavior, you may find yourself being approached by other peers with concerns.  This is troubling if they are coming to you instead of organizational leaders.  This can put you in an awkward position where you have to evaluate your own relationship with the person.  Would you feel comfortable saying something like, "I think you need to hear this, but I don't know how to talk to you..." or referring people to management knowing that the behavior might go quiet or that the situation could worsen.

Setting aside the interpersonal dynamics, attendees agreed that documenting observations or behaviors was critical.  It's important to capture the impact on the team, and make the documents as objective as reasonably possible.  Rather than trying to assign intent or identify the solution, just be clear about what the behavior is, and why it's creating a negative impact, and what they should be doing instead next time.  Focus on the dynamics and consequences of the brilliant jerk and those who are impacted by their behaviors.

One attendee pointed out that the best way to avoid this problem in the future would be to analyze and adjust your hiring processes to ensure this behavior isn't onboarded.  If you work at a company that is repeatedly hiring people with this problem, you should be talking to hiring managers about adding new interviewers and different types of questions to find clues at the interview stage and avoid bad hires. 

What kinds of questions should you ask?  The general idea was that you should spend less time trying to figure out "do I like this person" and more time trying to figure out "how do they handle conflict?"  "How do they respond to critical feedback?"  or "how do they persuade and influence others?"  Ultimately, one of the most vital components seems to be to have a clear interview structure that promotes consistency, independent feedback, and candor from all interviewers.  "If you see something, say something."

On that note, another person shared that, as a senior artist, they found themselves on the front line of struggles between two conflicting personalities.  This team had both a new lead and a new project manager, both of whom had been recently promoted and neither had received any leadership training.  The attendee shared that, even if you've been doing this for a long time, you can't solve these problems yourself.  Instead, you have to repeatedly share with senior managers or studio leadership that something is going wrong and encourage management to step in with more coaching and training.  Moreover, when people are promoted, you have to give them the tools to operate at the next level.  This person shared that they've begun to proactively read a lot more about communication in leadership so that they're better prepared in the future.  They recommended The 5 Dysfunctions of a Team, Surrounded by Idiots, Radical Candor, as well as topics on neurodiversity.

We wrapped up the roundtable by reinforcing the idea that the individuals and the teams need to point out the problem they are observing with a brilliant jerk.  It's best if they can present the information in an objective way and frame the discussion as the impact it's having on the team.  If things aren't improving, they should continue to document and share ongoing observations.  Oftentimes, individuals aren't aware of the steps that leadership and management are taking behind the scenes.  Sometimes it's inactivity, but sometimes it isn't.  Regardless, continue to share.  If management takes action, there will still be work to do afterwards.  There will be a need to rebuild trust and safety.  People will need to feel confident in the organizational again, and that will not be quick or easy.

If however, it becomes clear that the organization isn't taking action and has no intention of acting, one attendee shared a different approach.  As they described it, the best "revenge" may be to take from that brilliant jerk everything you can learn from them and then leave.  Get what you can out of it, and then move onto a different organization that prioritizes team wellness.  And as you move into leadership, ensure your team is free from brilliant jerks in the future.

Thursday, July 4, 2019

Art Leadership Channel is LIVE on Discord

Greetings, everyone!

I wanted to send a special THANK YOU to those who attended any of the six sessions we had at GDC 2019.  As you may recall, each participant was asked to fill out a survey for each session.  As a direct result of your presence and participation, three of the roundtables this year earned the #1, #2, and #3 highest rated sessions at GDC (out of 410 sessions that week).

Wow!

The big announcement however is that the Art Leadership Channel on Discord is finally LIVE

Many of you have encouraged me to launch this for several years, and I'm happy to say that I finally took the first step in creating an online community for us.  We're going to start small with a single #general channel, but we'll grow as the community grows.  Anyway, please join the channel and introduce yourselves.

https://discord.gg/gEEc7J

Feel free to share the link with others.  The roundtables are proof that there is a large community interested in Art Leadership and no reason for us to only interact one week every year.

Thanks again and hope to chat soon.

Sunday, May 5, 2019

GDC 2019 - Art Leadership Roundtable: Early Career Day 1 & Day 3

This final set of notes comes from the Great and Powerful Ozz -- Matt Oztalay, to be more precise.  Thanks, Matt, for taking notes and for sharing them with everyone!

Day 1

Demographics: Roughly even split between students, juniors, mid, lead and art directors with a noticeable dip in “Seniors”
How do you manage non-native speakers if you’re having communication issues?
  • Ask for feedback early & often
  • Communicate w/ images
    • Whiteboards are your friends
  • Patience
  • Give a pile of feedback all at once so no one gets stuck on any one piece of actionable info.
  • Show them specifically what they’re doing wrong
  • Draw overs with both good and bad examples

New person needs guidance, but has gotten codependent. How do you encourage independence even though you’re mentoring someone?
  • Be up-front about it/Toss the baby out of the nest
  • Start using “How can you explore this?”
  • What have you do so far to explore this problem?
  • Assurances that they can explore
  • “You can do it”/positive feedback
  • “Who else can you ask?”
  • Could be a fear of failure, make sure they realize that that’s okay.
  • Framework & limitations for asking for help
  • Timebox yourself and answer
  • Remove the fear of failure
  • Ask questions, don’t provide answers. Teach them to fish
  • What I would do if I didn’t know is ____
    • Ask someone
    • Check documentation
  • This can backfire, though. Keep communication open. Check in if you haven’t heard from them in a bit.
  • Rubber duck for them
  • Establish goals w/ periodic & predictable check-ins

How do you context switch?
  • Split your day/week explicitly
  • Pick the right music. Shift you energy levels w/ different genres.
  • Reach out to your producers to take up some of your weight w/ tasking and planning.
  • Switch during breaks (bathroom, snack, lunch, meetings.)
  • Don’t lose the forest for the trees. Look at your roadmap every so often.
  • Post-its. If someone comes to you with a problem, start writing it on a post it and add it to your existing wall of post-its. People maybe need a visual representation of how busy you are.
  • Mix up your day based on the energy needs of your tasks
  • Change your space depending on your task at hand

Growing your art team?
  • Hiring up?
  • Do it slowly. Make sure you’re bringing on people who are comfortable working at the size you’re growing to not the size you’re coming from (eg. If you’re growing to 50 people, hire people who are comfortable working at a 50 person company)
  • Make sure you can still give feedback Narrated videos, record what you did that day & your intent
  • Get to know these people before you bring them on
  • Start making tutorials from your studio to your studio
  • Keep in connection w/ the people you already have
  • As you grow, people will specialize & make sure the people you have get to specialize how they want to. Don’t hire people into the specialities that your existing staff want to move into
  • Document your tribal knowledge
  • Think about capabilities and attributes (what they can do, and who they are)
  • Start building a talent pipeline now, start working w/ local educational institutions.
  • Build up your company as a place people will want to work
  • Train up on hiring biases
  • Ask your direct reports their opinions first. Start asking opinions of the most junior person first.
  • Get your people out in the community b/c we all want to work w/ people that we know and admire.
  • At what scale do you need to hire the support staff? Tech artists? HR? Production?
  • Write job descriptions for the people you already have and want to replicate
  • Internships

How do you know when you want to lead?
  • If you want to be a lead & aren’t yet start small w/ mentorship of interns & juniors
  • Show interest in bigger problems
  • Passion to help other people
  • Approach you rAD/AM to shadow. Get to see what it actually takes to be a lead/manager
  • How are you at receiving critique/feedback?
    • If you have a professional disconnect then you’re in a good place to advance
  • Leaders are chosen by the team, managers are appointed by someone else
  • Do you want to serve & help people? Do they want you in that position? Do your coworkers come to you w/ problems?
  • Ask your leads about process & questions
    • “If you were in my position, what would you do?”

Day 3
How do you pivot when you know you’ve messed up?
  • catch=up talks
    • Go for coffee, get out of the office
  • Recognize that you messed up
    • Communicate that to the people you affected
    • Have a plan for how you’ll rectify it
  • It’s important to fail & evaluate those failures
  • Mediator or lead to help you talk it out
  • Fail safely
  • Sometimes we don’t know we failed
  • We project ourselves onto others & we get myopic of their needs
  • It should be safe for them to call you out & for you to improve
  • Reflect in a journal. Mentor yourself. Not every personality responds well to the same thing
  • Trust in your mentees, leaders, and yourself that you won’t lose your job
  • What were your mentees’’ worries and fears. What were they expecting in that situation? Find out what problems they’re facing and have to figure out where they are
  • Your bosses also need to mentor you on leading others

How do you deal with imposter syndrome for yourself and your team?
  • Improv and public speaking, comfort in the spotlight
  • listening , give yourself time to listen and digest
  • Power stances, assume the character of a leader
  • Someone put you in that position because they trusted you. Someone saw your skills and abilities and thought you were capable of the role.
  • It’s easy to lose sight of what you’ve been through to get where you are. You have VALUE
  • The role models we have don’t show their failures and weaknesses, so it can lead us to believe they don’t fail
  • Mentoring students, because you definitely have something to offer them
  • It’s very taxing on everyone else around you to constantly have to reassure you
  • Treasure yourself. Would you treat yourself the same way you’d treat a friend going through the same thing?
  • Rewire and retrain your brain.
    • Eliminate self-deprecating language
    • Change how you react to your own failures
    • Turn a bad outcome into a good outcome
  • Write down your achievements
  • “ I can always go back to what I was doing before the imposter syndrome set in”
  • Step into it and like it. Everything is new all the time, there’s so much to learn and you should embrace it
  • Short time to failure. Make crap and we’ll fix it.
  • Artists fall into it more b/c our skills and abilities are manifest, but leadership has no portfolio
  • Be careful w/ yourself. Recognize your accomplishments.
  • Teach what you know to other people.

Toxic Coworkers/Employees
  • Vacate the brilliant jackass.
  • Japan has trouble w/ this due to permanent employees (tenure)
  • How and when do you escalate a problem?
  • Positivity is hard to spread
  • Toxicity spreads quickly
  • Hard to break momentum of toxic
  • How can you change a skills-focused company?
    • Make it a Business thing. Toxic people cost money
  • Trust each other when someone turns toxic
  • Have to be clear w/ people about changes and if they don’t want to change it’s their problem to deal with it
    • Change themselves or leave
  • When hiring, be clear about culture.
  • You just can’t change truly toxic people
    • They want to change their environment to match their life
  • Charismatically toxic -> Cut ‘em
  • Conversely if your organization won’t change then it’s time to leave
  • How do you communicate why a toxic person was fired?
    • Reiterate company values.
  • How do you communicate why you’re leaving a toxic workplace?
    • Be clear and candid. Give them an opportunity to change
    • Sometimes people will dish in their exit interviews the things they never said
    • If you’ve already said something, they probably already know why you’re leaving
    • Depends on who you’re talking to

How do you build your team?
  • Beer friday
  • Show & tell
  • Team lunches
  • Field trips
  • Board games
  • Potlucks
  • It’s easier to work with friends


Friday, April 19, 2019

GDC 2019 - Art Leadership Roundtable Notes: Early Career Day 3

This set of notes come courtesy of Jessica da Silva.  Special thanks to Jess for taking these notes and also allowing me to share them with all of you!

Managing skill growth in the team
  • Heartbeats instead of sprints which are 6 weeks long but with a last 7th week dedicated to training and leadership lunches
  • Work outside of work to skill up (extracurricular) and give the opportunity for people to prove themselves in a new role.  But they have to prove themselves first as it can be too dangerous to train them in the production pipeline
  • Classes between projects instead of sprints
  • 1st Wednesday of each month as a training day where people can work on an area unrelated to their job and projects if they like.  If unavailable in a certain month, days in lieu but the expectation and time block is set.
Managing Passion and Emotions
  • If working remotely, talk face-to-face or in a call if things start to get heated
  • Keep the team grounded in the project’s needs, goals, and scope; “That’s great, but…”
  • Start with and agree on (come back to) facts, “what’s the goal here?”
Managing Toxicity or things becoming personal
  • Soft skills
  • Sit aside and talk together about how talking like that is not productive
  • If it continues - HR
  • Letting go of toxic or un-self-aware or hero people can be a net gain for the team
  • Give everyone a chance to voice their opinions, quiet people can be accidentally pushed out of the conversation
  • “Why are you frustrated?” “Why do you think the other person is frustrated?” Reframe perspective
  • “Are you serving yourself or the project?
  • Catch ups once every 2 weeks 1-on-1
  • Let people have their emotions away from the team and then when they give feedback, reframe it always to the pillars/goals
Managing Introverts
  • Take the introverts aside and hear their views first to warm team up and then in the meeting “I was talking to X about this and they have a really good idea about this” - put them on the spot a little, but give them a chance to warm up 
  • Remind people they can come to you after the meeting and it’ll be taken into account, leave that door open
  • Try to uncover why they’re shy.  Are they uncomfortable around someone or just socially anxious
  • Company team building / getting coffee
  • It takes time, proper culture, they need to see it’s safe to come out of their shell
    Managing mixed directions from management
    • Broadcast to people (about the thrash) who can affect change
    • It takes time to change
    • CEOs are kept in the ivory tower for a reason
    • Try to communicate upwards that this confuses, causes anxiety and thrash and that it can throw spanners in the works (make things worse, reduce productivity)
    • Don’t waste teams production time in unnecessary meetings (clear agendas and broadcast “Who do I need to tell?”)
    Managing Leads
    • Once a week leads discuss problems / research ideas / team management to be a team and help each other develop their management skills
    • Shadow another lead to grow organically
    • 1-on-1 to discuss strengths and weaknesses early and to discuss direction
    • Iterate that failure at the role is okay and that we’ll find something that works for them together
    • Specialist vs. Leadership track to help eliminate want to be leads and still have a path for growth without having to become a lead (if unsuitable for it)
    • Provide job description (expectations developed with HR) to provide clear expectations of what being a lead is
     Managing Retention
      • Do they want advancement or more money?  Decouple advancement from compensation because titles come with new expectations and tasks.
       Hiring Diversity
      • Diverse interviewers
      • Wording the ad to encourage other people to apply 
      Managing Meetings
      • Blocking in time blocks for meetings to take place in; Tuesday/Thursday afternoons
      • One dedicated meeting free day per week (Wednesday)
      • Block out areas on your own calendar for producers to respect and schedule around
      • “What kind of meeting is it?  Who are the key stakeholders? Agenda?  Desired outcomes?”
      • Shared with producers and directors, clear meeting plans will aid “who do I need to tell” and having the right attendees and goals
      • Block off time for leads and directors where the teams know they won’t be in meetings and can be around to help the team.
      • Book - Death by Meeting
      • Color coding meetings
        • Green - In depth, detailed
        • Yellow - More high level, etc.
      • Using DiSC and having team post up type of communication on desk so people know how to best talk to them
      • What kind of decisions does the director have to be in on?  Which can be trusted to the artist / people in the field?
      • More on personality color coding using lego bricks on desk in order of communication method
      • MBTI personality test
      • Basecamp - Art management tool
      • Delegating, having shadows and leads to stop spreading too thin “Who is the best person to be solving this problem” and build that relationship with them
      • Frequently asked or sought advice to question if you need a cheat sheet or your style guide is missing something.  Is this a reaction or something I can do to support my team’s independence - tutorial videos + wiki
      • Losing credibility as an artist?  Swap one project as a lead and the next as a senior/principal
       
      Managing time investment in the work
      • A scale of quality.  A brick wall: “We need this to be a 3” (out of 10)
      • Not every asset has to be awesome and giving a metric can help know how much detail needs to go into each asset
      • Not everything needs to be a hero piece, and in fact needs to be generic
      Managing critique
      • Positive reinforcement, no shame, no blame
      • Team effort to work through productivity and goal behind critiquing work
      Managing toxicity
      • Official warning
      • Toxicity is very quick and easy to spread, but positivity is hard to cultivate
      • Re enforce and solidify company values and ideal culture
      • Emphasize and spend a lot of time in hiring to find fits who aren’t just hard-skilled
      • Quantify it money-wise, a toxic person affecting 10 people’s productivity will cost more money
      • Two types of toxic people
        • Openly toxic and Charismatic toxic
        • Charismatic toxic is bad for the company, but bring people into the team
      • More actively separate yourself, refuse to work with them and cut them out of your team
        • “You can want to manage and put up with them, but I do not.”
      • When firing charismatic toxic people and to not look like you’re firing them for speaking their mind:  “I can’t go into why we’re firing them, because we have to respect their privacy, but here are our company values and so long as you are in line with these, you are welcome and safe to keep working here.”
      • Do reviews with your team about new members during probation

      Sunday, April 14, 2019

      GDC 2019 - Art Leadership Roundtable: Veteran Day 2

      This set of notes come courtesy of Elizabeth Blythe.  Endless thanks to Elizabeth for taking these notes and permitting me to share them with all of you.  On a personal level, I especially wanted to thank all of the attendees/participants in this session.  The conversation about diversity and inclusivity was one of the most earnest and heartfelt discussions we've had at GDC.


       How to develop your leads?

      • Responder: We faced team problems, run once per week without the Art Director directing. The team would pick topics. Extreme ownership was a book they'd read and had discussions. Treated management as a craft and something that can be learned. One person good at time management would help one another out.
      • Responder - Try to have the convo earlier in the career to identify what a person wants to do, identify strengths and where they want to go, then train on that organically. Provide some guidelines with a little bit of structure. Assign another art director as a mentor, then have them meet twice per month. Also, if they fail at a role, have convos about how that failed.
      • Responder - working as an art group to define what the leadership structure looks like. When leveling, we defined 2 second tracks - leadership and specialist.
      • Responder- large teams with co-dev. Leads and directors for a single project across studios - having a job description is part of what we start with. It sets expectations, an check it monthly with the person. There's a three tier approach, and get feedback from the lead, asking them what they think they need to start-stop-continue. The expectations gives clarity.
      • Responder - I'm interested in retention and titling. Prevent people from leaving when there is no chance for advancement? The current structure is an entry - associate - chair - self.  - people leaving due to a feeling of lack of advancement. Meaningful one-on-ones to discern what they want… more money versus wanting to "advance". Try to decouple compensation with costs.


      Anyone have experience with tactical ideas and strategies to improve diversity on their staff?


      • Responder - Mention that they prefer apps from under-represented groups. A lot of emphasis on showing off their studio culture as being very considerate and diverse. We also get work experience students in that are often under-represented. Send women developers to conferences and cons, help them with costs, and make an effort to make them the face of the organization. Talk to under-represented team members and make an effort to make certain they're heard.
      • Responder- spent a lot of time getting the word out to get a super diverse group. Made certain to promote in places that had reach to the applicant pool, like websites that support diversity.
      • Responder - make sure the target audience sees the adverts is a key issue. Also, get away from the idea that some implicit biases are bullshit - hire for skill, not assumptions about how that skill can be applied. For example, hiring women to make a [shooter] game was nervous, because the team wasn't sure how they'd go with guns, etc, but it turned out fine
      • Responder: flexible work hours has really helped us get people of various backgrounds, like people with kids and other stages of life. yes, rethinking about people being able to work remotely is a huge advantage.
      • Responder - thinking about changing which schools we recruit from because when you hire from a specific school, you inherit the school's biases. We have implemented diversity rules because we need our team to mirror our clients.
      • Responder - There are recruitment agencies like Bain and Amethyst can help you change the wording of your job advertisements to get feedback on how to make the ad more broadly appealing.
      • Responder - Presenting at school, but also getting senior positions to be filled with diverse groups, like having a woman senior manager who goes and does presentations at schools. It makes us seem more friendly to diverse groups and got us a bigger pool of applicants.
      • Responder - established a group to promote gender equality at schools and events. Another thing, there are services where we allow everyone to attend, but we market to women (for example) solely because women seemed turned off by things they think are targeted towards men.
      • Responder: be cautious when asking someone to advocate or present for you because when being asked to go do this, it often feels like "I was used to tick a box instead of being treated like a person." I became the 'demographic' instead of a person.
      • Responder - the ads get people interested, sure, but the culture is what keeps them. Also, the games you make. Or the culture, like dude bro culture with people making sexist comments on Slack but you feel powerless to respond or stop it. Stop treating women like unicorns and fairys, and encourage women to come and speak even if they don't want to or feel patronized. Women want to be treated like anyone else, seriously, respectfully, and as critically as anyone else.
      • Responder - I want to add another word of caution around having female employees speak at very public events and forums. Be considerate of the online harassment experience they are likely to encounter online. We heavily moderate chats and are supporting those employees we send out there, moderating their media streams or supporting them is huge. Also, general stuff to make a studio more attractive to women:
        • Flexible work hours
        • Ability to work remote
        • Showing children are welcome in the studio (Ex. holds trick and treat events and other family/kid events)
      • Once was told an interviewee that we had tampons and other things in the bathroom that showed her we thought about people with different bodies' different experiences
      • Responder: We hosted a group called DIY girls to give girls the opportunity as a kid to explore what opportunities there are to expose them. We also did this at high schools.
      • Responder: I've seen it happen to people around me - it's important that people are not hired as a 'diversity hire' - they want to be hired because they're a great fit. So you need a great pool of applicants, but if someone around says something like 'you only got that job because you were a woman', it's very harmful because it makes her doubt she's there for any reason other than her skill. Always reinforce this and give them a space to speak about it when this sort of thing happens otherwise the women will begin to doubt themselves and cut themselves off socially, harming their connection to the team, even though they weren't the one who caused the problem by undermining a coworker. It's bad for everyone.
      •  Responder: Yes, you need strong leadership and culture to tamp that down and reinforce the culture of diversity and respect.
      • Responder: One of the most powerful thing is to consciously strive to have a diverse network - consciously strive to make the people you hang out with diverse. People naturally want to hire people they know, so make sure you know diverse people. Consciously make an effort to diverse and connect as much as you can.
      • Responder: Also, hire from your community, as communities tend to be quite diverse.
      • Responder: Don't hire 'mini-me's. It really hit home with me, we want to hire people who think like us. Also, diversify the people interviewing - bring in people who will be working with them. Sometimes Art Leads and Directors think they need to do it all, but I often get the best hiring feedback from people who are working as peers. It gets different eyes on skills.
      • Responder: We should, if all possible, do NOT have all male interviewers. Women may suss out creeps while male interviewers may not notice anything untoward aimed towards them.
      • Responder: Create a mechanism to allow people to safely express their concerns about diversity, the content they're making, etc.
      • Responder: have a studio in a location that is SAFE to walk to or crunch in late at night or walk to during the day. For example, a woman won't want to go to work in a place that has a dark parking lot they have to navigate at night.
      • Responder: Yes, take the time to install lights, security measures, etc.

      Tuesday, April 9, 2019

      GDC 2019 - Art Leadership Roundtables


      Greetings, everyone!  First of all, I wanted to thank everyone who attended the roundtable sessions this year.  For those who couldn't make it, we decided to try something a bit different this time.

      This year, we had six (6!) roundtable sessions.  In response to feedback, I decided to moderate three roundtables each for both "Early Career" and "Veteran" to ensure that attendees had a reasonable expectation of what types of topics might be discussed in each session.

      While survey feedback has not yet been received, in-person responses seemed to be largely positive.  However, this change to the roundtables did not come without a cost.  Past readers have come to expect a pretty robust write-up on these sessions.  Increasing the number of roundtables to six (6!) meant that I simply don't have the wherewithal to provide a lengthy write-up for each.

      Thankfully, a small number of people offered to share their notes with me (and thus all of you), which I will post in the days to come.  For those who might be interested, here are the topics that were discussed this year:

      Early Career - Day 1:
      • Student Question - Working with peers who have English as a second language, resolving conflict while preserving trust, working towards clarity
      • Mentorship - How to encourage others to become more independent, learning how to pull away with creating the sense of "abandonment"
      • Switching Gears - how to manage the mental shift from one type of work to another type of work
      • Growing your Team - small studio concerns about growing from very small (2) to a functional team (5)
      • Path to a "Lead" role - expectations, skills, qualities

      Early Career - Day 2:
      • Generalist Artists to Specialists (3D) - growing your art skills
      • Managing heated discussions / conflict - reframing questions, establishing goals, clear metrics for success
      • Introversion for Artists and Leads - understanding and growing your energy levels, clarifying what the team needs, making time to prepare
      • Conflict between Directors - hashing it out away from the team, avoiding office politics, strategies to achieve resolution
      • Balancing Time between Communication and Content Creation - clarity of purpose, reducing iteration, shared objectives and timelines

      Early Career - Day 3:
      • Mentorship failure - "cutting the cord," communicating problems upward, finding different opportunities
      • Impostor syndrome - managing anxiety, confidence through teaching
      • Toxic Coworkers - communicating with management, separating work
      • Team Building exercises - leadership training, art jams, game jams
      • Coworkers Dating - perils to communication, clarifying expectations, establishing boundaries

      Veteran - Day 1:
      • Outsourcing - strategies, art tests, communication, delivery systems
      • Unifying Team Cultures - multi-team challenges, aligning expectations, department social events
      • Growing Directors - clarifying motivations, expectations, early leadership opportunities
      • Retention / Promotion - Titling systems other than "lead" and "director," differentiating paths

      Veteran - Day 2:
      • Mentoring Leads - directors investing proper time, leadership struggles, leaning away from content creation
      • Titling and Retention - developing different career paths, understanding employee goals, unique challenges
      • Diversity / Inclusivity - developing studio strategies, recognizing blind spots, demonstrating respect while avoiding "unicorn treatment"

      Veteran Day 3:
      • Meetings - controlling your schedule, blocking out "desk time" to do work, respecting Focus
      • Project Needs vs. Team Needs - unifying goals where possible, compromise solutions, recognizing shifts during the development cycle
      • Obsessive working - avoiding burnout, effectiveness vs. hours
      • Critique Culture - art nor artist, clarifying metrics of success, improving "safety"

      Once again, you expect some more robust write-ups in the weeks to come.  These notes were collected from attendees and full credit will be given to each individual when I post.  If you attended the roundtables and would like to share your notes, please contact me.

      Thanks for reading!

      Tuesday, March 26, 2019

      GDC2019 - Presentation Slides

      Hey, everyone

      I just wanted to say thank you to the large group of people who attended my presentations this year.  Thanks also to those of you who came up afterwards and asked questions or simply expressed appreciation.  And also thanks to the person who came up and asked if they could have their picture taken with me after my talk ... I'm still curious WHY someone would want a picture with me but I'm going to take it as a compliment.

      If you're looking for the slides for those presentations, here they are:

      Art Direction Bootcamp:  Don't Forget the Team: Directing Careers















      Producer Bootcamp:  Fix Your Broken Meetings